@ARTICLE{Bartnikowska-Biernat_Magdalena_Teofil_2019,
 author={Bartnikowska-Biernat, Magdalena},
 number={No 1 (352)},
 journal={Ruch Literacki},
 pages={77-86},
 howpublished={online},
 year={2019},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={After moving to Italy in 1856, Teofil Lenartowicz, inspired by the great Italian art and supported by the best Florentine artists of the time Giovanni Dupré and Enrico Pazzi, began studying sculpture. Lenartowicz’s sculptures were always connected with literature: his work shows howone influenced the other. It is no accident that his style as a sculptor has been called ‘poetic’ by the critics. The Polish immigrant was fascinated by the Italian Renaissance, and especially by the art of Lorenzo Ghiberti. At the same time, he never forgot about Polish folklore, which played a significant role in his artistic vision. One of the most impressive examples of this intersection of influences is the bas-relief The Holy Workers, complemented by a poem bearing the same name.},
 type={Artykuły / Articles},
 title={Teofil Lenartowicz – the Mazovian lyre player, and heir of Italian Renaissance Artists. The case of ‘The Holy Workers’: the bas-relief and the poem},
 URL={http://czasopisma.pan.pl/Content/108877/PDF/RL%201-19%206-BARTNIKOWSKA-BIERNAT.pdf},
 doi={10.24425/rl.2018.124789},
 keywords={19th-century Polish literature and art, Polish-Italian literary and cultural relations, Polish Romantic poetry, Romanticism and Italian Renaissance art, literature and sculpture, Florence, Teofil Lenartowicz (1822–1893), Lorenzo Ghiberti (1378–1455), Giovanni Dupré (1817–1882), Enrico Pazzi (1818–1899)},
}