@ARTICLE{Łaniewski_Piotr_Sound_2020, author={Łaniewski, Piotr}, volume={vol. LXIX}, number={No 1}, pages={61-75}, journal={Slavia Orientalis}, howpublished={online}, year={2020}, publisher={Komitet Słowianoznawstwa PAN}, abstract={The current of minor literatures – developed by Gilles Deleuze and Felix Guattari on the basis of an analysis of Franz Kafka's works – is a kind of breakthrough in the modern and post-modern interpretation of literary texts. Its basic aspect is the minority, expressed in various ways, determined by the social exclusion of the artist, set within the framework of a dominant foreign culture, the emanation of which is primarily language. This immanent feature affects all levels of a literary work, leading to the creation of a specific apparatus. One of the most interesting representatives of this current is Sigizmund Krzhizhanovsky – a Russian writer from a Polish noble family. The writer's work – focused mainly on criticism of the central category of logos – is based on a set of philosophical concepts that transfer reflections to a paradigm different from the modernist or socialist realist tradition. One of the key objects of analysis in such an approach is the question of sound and the reception of music itself. The author of the article presents the concept of sound philosophy present in Krzhizhanovsky’s works, which at the same time characterizes the whole current of minor literatures and – similarly to other sign systems – introduces a distinction between minor and dominant elements.}, type={Artykuły / Articles}, title={Sound in the Context of Minor Literatures. Philosophy of Music in the Works of Sigizmund Krzhizhanovsky}, URL={http://czasopisma.pan.pl/Content/115710/PDF/2020-01-SOR-05-Laniewski.pdf}, doi={10.24425/slo.2020.132440}, keywords={minor literature, schizoanalysis, Sigizmund Krzhizhanovsky, postsymbolism, philosophy of music}, }