The article expands and modifi es the contexts in which literary onomastics currently operates. This strictly interdisciplinary field of research, primarily originating from linguistics, has sought out the contexts that triggered non-obvious meanings of names readable in the artistic work from the outset. The references were varied – stylistics, textology, philosophy, structural poetics. All of them significantly enriched onomastic analyses, leaving some fundamental sense of insufficiency at the same time. That is the reason why we propose the project of the connection between literary onomastics and — now extremely extensive — theoretical thought. The article is not the end of this discussion, but rather an exploratory study and the beginning of scientific research. Consequently, there is no one ordering and chronological concept with a clear conclusion, but the main aim is to show the analysis of the claims relevant for further research. Therefore, several concepts of theoreticians interested in proper names in literature were discussed (far from a common phenomenon in this case). From the research projects analyzed, including among others: U. Eco, J.F. Lyotard, P. de Man, there emerges a clear conviction of the need to end the search for a referential, texted name. In this place it refers, on the one hand, to itself, establishing its own unreal meaning (image-forming, phonic, intertextual); on the other, it concerns the author’s system of naming (and beyond), which is also an epistemological concept. The starting point of these diagnoses was the thoroughly interpreted self-analysis of artistic works made by Marcel Proust; for further analysis, the thesis of Walter Benn Michaels was also employed, which brings interest in proper names from literature to the domain of artistic experiences. The conducted analysis (designing future literary onomastic research) leads to the fi nal conclusion that the proper name indicates the essence itself, the arche of our existence.

Studies carried out for many years in the experimental field in Winna Góra refer to the biocenotic regulation of aphids in agricultural cultivations by aphidophagous Diptera of Syrphidae. Experiments were carried out in conditions of an agricultural lanscape differentiated by the presence of field afforestation.

Impinging jets are one of the most effective techniques of heat transfer intensification, therefore they are continuously applied in various engineering areas. On the other hand, a numerical modelling of complex phenomena contributing to an overall heat transfer effect (and the Nusselt number value) is still not sufficient and suffers from lack of generalization. The extensive studies have been conducted to unify approach to the impinging jet modelling and construct the model (in Ansys Fluent software), which allows mirroring of the results. Presented work discusses differences in representation of impinging jet between various turbulence models based on the turbulence kinetic energy, momentum and energy budgets. It allows deep understanding of influence of geometrical and flow parameters on fluid mechanics phenomena interaction and final effect. The most significant results are connected with linking of Nusselt number distribution with analyzed budgets’ terms. Each term contributes to the distribution and cannot be omitted. Drawn conclusions explain the origin of reported in litera-ture differences and includes suggestions, how to evaluate the Nusselt number distribution results coming from various turbulence models. At this stage of research to have a complete image of relation between the particular quantities budgets and heat transfer effect it is suggested to consider also the turbulence kinetic energy dissipation budget, which will fil opened by this research gap.