This article discusses the role of the illustrated women's magazine Bluszcz [Ivy] in shaping and stimulating its readers' social and political engagement throughout the interwar period, from its relaunch in 1921 until 1939. Addressed to educated, middle-class women, it strove to raise their awareness in the wake of the women's enfranchisement act of 1918 and inspire them to participate in public life, to energize the local community, and to organize and promote various forms of social work.

This article deals with a debate in the pages of the interwar press over a memorial landscape park opened in 1932 at Żelazowa Wola, the birthplace of Fryderyk Chopin. Designed by Franciszek Krzywda- Polkowski, the park provoked a flood of opinions and commentaries from contemporary cultural luminaries. The discussions raged mostly in literary periodicals as well as popular newspapers and magazines. The article attempts to reconstruct the narrative patterns of the debate around its two poles, represented by the admirers and opponents of Krzywda-Polkowski's innovative design.

Rzeczy Piękne [Beautiful Things] (1918–1932) was a monthly publication of the Adrian Baraniecki Municipal Industrial Museum in Cracow. Among its distinctive features were a sophisticated graphic layout and eye-catching initials. The latter are remarkable for one more reason. While decorative initials are usually associated with of book design, it is rare to find a set of artistic ornaments commissioned specially for a periodical. This study has shown that the initials owe their distinct character not only to the ideas of the arts and crafts association Warsztaty Krakowskie [Cracow Workshops] but also to an original and attractive technique of composition.