The topic of this paper is the universal call to holiness with reference to the notion of „ordinary holiness”. The contemporary teaching of the Catholic Church, particularly since Vatican II, has underlined that holiness is both a gift and a task for all Christians. It is illustrated with several papal pronouncements by Paul VI, John Paul II and Benedict XVI. Finally the paper points out to some examples which confrm that any activity in life is appropriate for fulflling the call to holiness. It is also noticed that ordinary holiness is a positive reaction and response of Christ’s disciples to the signs of the time they face. Some of those signs of the time are nowadays: man’s changing attitude to the truth, to human life as a fundamental value, to conjugal love which is in its essence faithful and exclusive, as well as to service as a form of daily love.
The article consists of two parts. In the first one (introductory) I recall—following Edmund Husserl, Stanisław Ossowski and Adam Schaff—the main formulations of the “principle of transparency of the sign.” In these formulations it is usually said about (1) the transparency of the sign regarding objects denoted by the sign (denoted, designated and/or named), or (2) the transparency of the sign regarding its meaning (respectively, events, states of affairs and facts designated by the sign). However, as Husserl pointed out, one can also speak about (3) the transparency of the sign in relations to the activities and mental states of the sign’s users (senders and recipients). After all, only due to the transparency of the sign understood in this way, it is possible for people to communicate with each other, thus the sign can also has an expressive and communicative function. In turn, the second part of the article (essential) contains a reconstruction of the Leon Koj’s approach; Koj gave a consistently formalized form to the theory of sign based on the principle of transparency— the form of an axiomatized logical system (using Quine's formalism from his Mathematical Logic). One of Koj's main goals was also to indicate the close relationship between semantics and pragmatics, and even the primacy of pragmatics over semantics. Formal-logical tools have also shown that the theory of sign based on the principle of transparency neither contravene The Law of Non-Contradiction (at least in its psychological formulation), nor contain or imply semantic antinomies such us antinomy of the liar. Because it is a theory easily negotiable with Alfred Tarski’s theory of language levels.
This article presents examples of the relationship between culture, dance, and the body in the fields of communication (with oneself, the community, God/deity), the social hierarchy, social values, relations between the individual and the group, and relations between genders, from the perspective of the sociology of the dance. The sociological perspective also indicates the various historical, ritual, control, and regulatory roles that traditional and modern dances play in the communities in which they arise and are performed. The second part of the text contains a case study of the Japanese ankoku butoh dance. The author presents the philosophical roots of the dance (e.g., Japanese mythology, Zen Buddhist philosophy) and the creator’s personal experiences (childhood trauma and post-war social situation) as factors that influenced the dance’s development. The example of ankoku butoh illustrates the interrelation between cultural meanings and dance movements.
Polish Sign Language (PJM) is a natural communication system that has been evolving for two centuries. It is at the heart of the identity and culture of the Deaf community in Poland, but it is often marginalized and neglected. It first came under serious linguistic scrutiny not long ago, and more systematic research on it has been initiated in recent years by a team of researchers at the Section for Sign Linguistics at the University of Warsaw.
This account examines how episodes are constructed and measured, and how Peirce’s Index informs and even hastens the advancement of this process—from binding spatial features, to the awareness of participant roles and temporal sequencing. It provides semiotic rationale for how episodes develop from static single pictures (dependent on verbatim memory) to events whose frames reflect a deictic and sequential character—superseding the consciousness inherent in autonoesis. Empirical evidence will trace children’s event memory—first iconic and static, and later characteristic of increasingly more complex interpretants which specify directional and logical relations, and memory sources. The signs which promote episodic thought are indexical in nature, given their largely relational character. They incorporate deictic projections of the self in diverse orientations, entering into different participant slots inherent to the event. Notice of the latter entails the influence of index to apprehend the spatial, participatory, and temporal directionality within and across event frames. This progression requires a rudimentary consciousness of aspectual features (telicity, dynamicity), as well as an appreciation for the events’ purposes/goals. Anticipating how, where, and when events conclude is critical to realizing the event’s purpose/goal, since, according to Bauer 2006: 384, it constitutes the basis upon which episodes are constructed.
Reliable, remote pulse rate measurement is potentially very important for medical diagnostics and screening. In this paper the Videoplethysmography was analyzed especially to verify the possible use of signals obtained for the YUV color model in order to estimate the pulse rate, to examine what is the best pulse estimation method for short video sequences and finally, to analyze how potential PPG-signals can be distinguished from other (e.g. background) signals. The presented methods were verified using data collected from 60 volunteers.
The aim of this paper is to analyse and interprete the prose text "Vor der Zunahme der Zeichen" by the young, German-speaking writer who as a child fled from the civil war in Sri Lanka. The paper provides an analysis of the contingency of language signs (like homeland, descent, native language, identity) which is a function of the experience of flight, exile, and live in the globalized and electronic media-dominated world. The central role in the novel is played by the relation between death and literary language and its communicative and perception function.
The author paints a personal and often critical image of three cities — those, which he is the most familiar with and which are particularly dear and close to him. Despite being familiar with tens of the most renowned cities in the world, the author has selected fully familial examples, which he has had and continues to have personal ties. Throughout their histories, they have been subjected to dramatic events. In terms of spatial creation, they underwent — and continue to undergo-fluid, hybrid, ambivalent and often controversial transformation. They have also been treated implicitly, as subjectively-presented models of cities in general — as well as of their fate and evolution. The author considers the city to be — perhaps — the greatest expression of human culture and civilisation.