Many academic works fundamental to Polish numismatics, from the earliest time to the modern period, were published in the second half of the 19th century. The subject of the present article is an analysis of the illustration–related aspects of those works as well as some other minor publications. The author describes the most commonly used graphic techniques (across–the–end–grain wood engraving, lithography, copper engraving, etching), mentions the prominent engravers and graphic artists, and presents a number of ateliers/workshops which carried out commissions connected with numismatics. The objective of the text is to identify and describe certain characteristic regularities as well as some special features relating to the field of numismatic printmaking.