@ARTICLE{Kamińska_Lidia_“And_2024,
 author={Kamińska, Lidia},
 number={No 2 (383)},
 journal={Ruch Literacki},
 pages={255-270},
 howpublished={online},
 year={2024},
 publisher={Polska Akademia Nauk Oddział w Krakowie Komisja Historycznoliteracka},
 publisher={Uniwersytet Jagielloński Wydział Polonistyki},
 abstract={This article examines the techniques of affective landscape creation in Stanisław Przybyszewski’s prose poems (or, rhapsodies, as they were called then), i.e. Requiem aeternam (1900; Polish version of the Totenmesse, 1893), Androgyne (1900), Z cyklu Wigilii [From the Vigils cycle] (1899; Polish version of Vigilien, 1895) and Nad morzem [At the Sea-side] (1899). The analyses make use of the methodology and insights of the affect approach, somato-poetics and haptic theory to discuss the relationship between the dy-namics of Przybyszewski’s landscapes and their psychological resonance, the relation-ship between the affects and the non-material elements of space (temperature, the soundscape) and the somatic perception of the landscapes proffered by the poems.},
 type={Artykuł},
 title={“And I don’t know – is it in me, or out there, the terrible sound of the storm?”: Affective landscapes in Stanisław Przybyszewski’s prose poems (Requiem aeternam, Androgyne, Z cyklu Wigilii, Nad morzem)},
 URL={http://czasopisma.pan.pl/Content/134003/2024-02-RL-07.pdf},
 doi={10.24425/rl.2024.151640},
 keywords={Polish modernist literature, Young Poland, fin de siècle, affective landscapes, somato-poetics, Stanisław Przybyszewski (1868–1927)},
}