@ARTICLE{Neff_Monika_Use_2024,
 author={Neff, Monika},
 volume={vol. LII/2},
 pages={51-73},
 journal={Teka Komisji Urbanistyki i Architektury Oddziału Polskiej Akademii Nauk w Krakowie},
 howpublished={online},
 year={2024},
 publisher={Polsh Academy of Sciences, Branch in Kraków (Polska Akademia Nauk Oddział w Krakowie)},
 abstract={Jurydyka Ordynacka was a part of 18th-century Warsaw, established on the eastern side of Nowy Świat. Not much space has been devoted to it in the literature due to the loss of all files concerning it in 1944 and the few surviving cartographic sources. The aim of the research was to examine the possibility of using data extracted from municipal sources and parish registers in the analysis of the urban layout, and to attempt to reconstruct the chronology of street delineation and the introduction of parcelling. The temporal scope was limited to the period of the jurydyka, from its erection in 1731 to its liquidation in 1791. The research made use of surviving municipal sources, from which the names of the owners of all properties were established, and parish registers, which allowed the identification of many residents’ activities, including marriages, baptisms of children, or participation as witnesses in weddings and baptisms of other residents. The data collected was included in a summary table and marked on the town plan. The research carried out, particularly into the parish registers, has led to the identification of activities testifying to the family, neighbourhood and professional relationships of the inhabitants, confirming the fact that they lived in the erected houses. A chronology was reconstructed for the laying out of streets and the parcelling and development of the various properties of the jurydyka.},
 title={Use of municipal sources and parish registers in research into 18th-century urban planning on the example of jurydyka ordynacka in Warsaw},
 type={Articles},
 URL={http://czasopisma.pan.pl/Content/134391/2024-TEKA-05.pdf},
 keywords={Warsaw, 18th century, jurydyka, Ordynacki Palace, Jan Gniński, Jakub Czapski},
}