TY - JOUR N2 - The article analyzes the implementation of dialogicality in the artistic discourse referring to dialogue as a form of explication of dialogicity in text communication, as a special type of speech interaction which serves as the most relevant means of verbalizing the speaker’s communicative intentions and is represented by a question/answer complex of stimulus/reaction exchange. Based on the voluminous factual material, the explication of dialogic intentions is traced in two typological registers of communication: tolerant and a-tolerant; it is indicated that, on the one hand, the addressant/addressee continuum of speech interaction conveys a be-nevolent atmosphere and expresses the modality of interlocutors’ mutual understanding and tolerant attitude about themselves being realized through various modal-intentional utterances, primarily interrogative, and stimulating and optative constructions, the use of which contributes to the progress of the communicative process; on the other hand, there is a-tolerant register – a natural phenomenon that reflects the imbalance in relations between communicating parties, the principled incompatibility of views, a conflict in general, represented by counter-questions, echo-questions, evil wishes incentive imperatives, invectives, etc. L1 - http://czasopisma.pan.pl/Content/115716/PDF/2020-01-SOR-11-Sawka.pdf L2 - http://czasopisma.pan.pl/Content/115716 PY - 2020 IS - No 1 EP - 155 DO - 10.24425/slo.2020.132446 KW - dialogicality KW - dialogue KW - communicative intention KW - addressant KW - addressee KW - tolerant and a-tolerant communication registers A1 - Шабат-Савка, Світлана PB - Komitet Słowianoznawstwa PAN VL - vol. LXIX DA - 2020.05.05 T1 - Dialogicality in the Artistic Discourse: Tolerant and A-Tolerant Registers of Text Communication SP - 143 UR - http://czasopisma.pan.pl/dlibra/publication/edition/115716 T2 - Slavia Orientalis ER -