Szczegóły

Tytuł artykułu

Modeling and Designing Acoustical Conditions of the Interior - Case Study

Tytuł czasopisma

Archives of Acoustics

Rocznik

2016

Wolumin

vol. 41

Numer

No 3

Autorzy

Słowa kluczowe

acoustic field analysis and modeling ; acoustic conditions measurements and analysis ; sound reinforcement system design

Wydział PAN

Nauki Techniczne

Zakres

473-484

Wydawca

Polish Academy of Sciences, Institute of Fundamental Technological Research, Committee on Acoustics

Data

2016

Typ

Artykuły / Articles

Identyfikator

DOI: 10.1515/aoa-2016-0044 ; ISSN 0137-5075 ; eISSN 2300-262X

Źródło

Archives of Acoustics; 2016; vol. 41; No 3; 473-484

Referencje

Passero (2010), Statistical comparison of reverberation times measured by the integrated impulse response and interrupted noise methods computationally simulated with ODEON software and calculated by Sabine Eyring and Arau - Puchades formulas Acoustics doi, Applied, doi.org/10.1016/j.apacoust.2010.07.003 ; Okano (2002), Judgments of notice able differences in sound fields of concert halls caused by intensity variations in early reflections, Acoust Soc Am, 111, 217, doi.org/10.1121/1.1426374 ; Marshall (1967), A note on the importance of room cross - section in concert halls, Sound Vibration, 5, 100, doi.org/10.1016/0022-460X(67)90181-2 ; Barron (1971), The subjective effects of first reflections in concert halls, Sound Vibration, 15, 475, doi.org/10.1016/0022-460X(71)90406-8 ; Bork (2000), A Comparison of room simulation software - the nd round robin on room acoustical computer simulation, Acta Acustica, 86, 943. ; Polychronopoulos (2014), Efficient Filter - Based Model for Resonator Panel Absorbers, Audio Eng Soc, 62, 14, doi.org/10.17743/jaes.2014.0005 ; Beranek (1996), Concert and Opera Halls How they Sound, Soc Amer. ; Gimenez (2012), Subjective assessment of concert halls : a common vocabulary for music lovers and acousticians, Audio Eng Soc, 37, 331. ; Houtgast (1985), A Review of the MTF Concept in Room Acoustics and Its Use for Estimating Speech Intelligibility in Auditoria, Acoust Soc Am, 77, 1060, doi.org/10.1121/1.392224 ; Avis (2005), Stability and Sensitivity Analyses for Diffusers with Single and Multiple Active Elements, Audio Eng Soc, 53, 10471060. ; Cerda (2012), An Objective Scheme for Ranking Halls and Obtaining Criteria for Improvements and Design, Audio Eng Soc, 60, 419. ; Kamisiński (2012), Correction of acoustics in historic opera theatres with the use of Schroeder diffuser of, Archives Acoustics, 37, 349, doi.org/10.2478/v10168-012-0044-1 ; Neubauer (2001), Prediction of the Reverberation Time in Rectangular Rooms with Non - Uniformly Distributed Sound Absorption of, Archives Acoustics, 26, 183. ; Niemas (1998), Acoustic Issues of Sacral Structures of, Archives Acoustics, 23, 87. ; Zidan (2013), Room Acoustical Parameters in Small Rooms, Audio Eng Soc, 61, 62. ; Rudziński (2006), Rudno Reverberation time of Wrocław Opera House after restoration of Supplement, Archives Acoustics, 31, 247. ; Thiele (1953), Richtungsverteilung und Zeitfolge der Schallrückwürfe in Räumen, Acustica, 291. ; Gołaś (2009), Analysis of Dome Home Hall Theatre Acoustic Field of, Archives Acoustics, 273.
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