In the 17th century were functioned in England two types of public spaces: piazza type of squares, devoid of plants’ composition and green city squares of a garden nature, designed for the residents of the nearby houses. Both of these presented the high-class type of public space, which with the time became popular in many cities in Europe. The aim of the paper is to define the importance of these arrangements in urban landscape, including the identification of functions which they perform today in urban tissue of cities.

The study of the relationship “the natural qualities of water – the naturally built environment – the psycho- emotional conditions of human beings” from the perspective of architectural and landscape organization is essential nowadays. By investigating modern monuments we identified the methods of landscaping and composition planning to create the appropriate environment to emotionally impact the persons dealing with grief, sadness and loss. The conducted analysis of modern memorials allowed us to explore the role of water as an important compositional element in the architectural and landscape organization of monument sites. We also identified different methods of modeling water and how they affect related emotional impressions in creating the urban social environment that would preserve the historical and cultural memory from generation to generation.

City parks play a very important role in an urbanized landscape. They are forms of specially designed green space which combine elements of horticulture with architecture, history and culture. The article presents historical urban parks and old residential-park complexes included in the boundaries of Poznań and currently existing in the wedge-ring system of the urban green space. The aim of the conducted research was to show their historical and current function as well as their general state of preservation and condition. The results are presented in the form of a Table where the historical significance of those objects is compared with their role today.

Zoo is a didactic assembly induced in the system of urban greenery. It has an educational, entertainment, and scientific values. This kind of gardens, directly derived from tradition of baroque menagerie, were created from the mid-18th century. Their greatest development occured since the 2nd half of 19th century and the 20th century. The article is regarding issues of the miniature zoo in Upper Silesia created before World War II. They will be presented their resource, state of preservation and the characteristics of selected examples.

The trip towards a magic Cathar Country, our UIA Program “Places of Worship”. On the way Amsterdam. As the City, as Stock by Hendrik Berlage, as Nemo by Renzo Piano are impressive as always. Then Touluse, surptising are not only Saint Sernin basilica and Couvent des Jacobins, but also the Modern Metro. Then scientific session - didcussion. At last, awaited castles. Rocky mountains topped with great ruined edifices. Climbing with Wojtek in a terrible southern sunshine. Magnificent landscapes, and a dramatic history behind. Then Carcassonne, and culminating emotions, sanctuary Lourdes.

The metropolis of Barcelona is one of the first ten Europe's urban agglomerations. The geographic and natural conditions of the city - located in area between the sea and the forested mountain ranges running parallel to the coast and divided by broad river valleys - have considerably influenced the formation of its hybrid urban structure. The heart of the agglomeration is still Barcelona, established by the Phoenicians in a natural port at the foot of the Montjiuc hill, growing together with its neighbouring towns for more than two thousand years now, incessantly filling one fragment of natural landscape after another with urban fabric. Monumental edifices and high-rise buildings erected in all historic periods have been inorming visitors of the power of teh city and the same time defining places which are important for its urban composition and status. Recent decades have brought no revolutionary changes in this trend. What was changed, though, are the architectural forms of those most emblematic structures in the scale of the metropolis.

Ustawy o planowaniu przestrzennym z lat 1994 i 2003 zniosły obowiązek sporządzania planów miejscowych, więc 3/4 terytorium Polski zabudowywane jest bez planu. Zastępują go ułomne i korupcjogenne „Decyzje o warunkach zabudowy”. W roku 2014 zlikwidowane zostały uprawnienia urbanistyczne i samorząd zawodowy Izba Urbanistów. Środowiska profesjonalistów pozbawione zostały podstawowych narzędzi. Od roku 2015 indywidualne budownictwo mieszkaniowe i rekreacyjne może powstawać bez pozwolenia na budowę. Ta liberalizacja objawia się intensyfikacją zabudowy wokół „magnesów” krajobrazowych. Jakość krajobrazu stała się ofiarą politycznego populizmu. Co takiego wydarzyło się w transformacji rozpoczętej w roku 1989, że społeczeństwo nie podąża za głosem profesjonalistów i elit intelektualnych, a władza bezkrytycznie schlebia upodobaniom wyborców? Czy ceną demokracji i gospodarki wolnorynkowej musi być psucie jakości estetycznej wspólnego dobra? Bez odpowiedzi na to nie potrafimy podjąć skutecznej ochrony i poprawy krajobrazu, jako narodowego dziedzictwa.

The article presents the urban layout, which is a best-preserved example of industrial estates in northern Italy. The subject of the research is a public space of the Crespi d’Adda settlement in the Province of Bergamo in Lombardy. Particular attention is paid to green areas occurring there, and their current use. Program of the public areas was very varied. The main role, besides the factory, held the public park, which is an important compositional and ideological. element of the layout. Research task was to show on example of Crespi, the current situation of former settlements in northern Italy, which are for the author reference material for settlements analyzed in Poland.

The traditional model of the multinational city, which was based on the harmonious coexistence of separated ethnic residential districts and common multinational public areas, where the exchange of services and goods took place, gives way to the contemporary model, based on the principle of dispersion and segmentation. In the postmodern city virtual space has increasingly becoming a platform of exchange: numerous economic, social and cultural functions are performed through the ubiquitous electronic communications. Public space, symbolic for the European concept of the city, is losing many of its previous functions in favour of the Internet. The dispersion of immigrants in the structure of the multinational city is conducive to the emergence of an attractive, kaleidoscopic and multicultural urban organism, their separation in ghettos results in intensification of pathologies. Integration is assuming the form of a network, while separation that of walls.

In the 19th and in the first half of the 20th century numerous parks were built all over Europe, which, though different in many aspects, still show certain similarities in space structure and composition. The question is, whether late modern public parks, built in the second half on the 20th century follow the classical design and composition „rules”? How did the extremely functionalist design approach of the era after WW2 influence park design? The answer is the result of a detailed analysis on space structure and composition principles of the parks built in these times. In this research I analyzed according to specific criteria the Jubileum Park in Budapest, one of the most prominent work of the late modern period in Hungary. The 12 ha Jubileum Park (built in 1965) is located in the heart of Budapest, on the top of Gellért Hill, next to river Danube. Laying high above the city on an exposed hillside, the park offers a broad view of the whole city. The structure of the park is basically determined by the extreme topography, and one of the great value of the park is the natural looking grading, which determines the space structure and fits to the natural terrain very nicely, and the walkway system, which fits to the contour lines and explores the whole site. Fitting to the windy and exposed hilltop position, in space division the terrain in the most appealing, the plantation is only secondary. From formal point an interesting feature is the dominance of two dimensional elements with characteristic shape, like flowerbeds or ornamental pools and the curves of the walkway system. Though the main function of the park is to underline the fantastic visual potential with providing viewpoints, there are some playgrounds as well. For the visitor of today the specialty of the park celebrating the 50th anniversary this year, is, that – disregarding some minor changes – there were no alterations since it exists. As a first step I analyzed the space structure of the park, putting an extra emphasis on the existence or lack of any axis, on the accentuation of the park entrances, on the space organization inside the park and on the existence/lack of hierarchy. Important aspect of analysis was the connection of the park to connecting urban fabric and green surfaces nearby. The next step was to compare the results with other parks built in former times, but having similar natural setting. The goal of the research is to determine, how much the spatial composition of Jubileum Park is different from the spatial composition of classical parks. The results might help to realize, what kind of spatial composition and space structure is typical of late modern parks. It would be important to preserve these space structural specialties of the Jubileum Park during a more and more urgent renovation.

Wola Justowska has long been thought of as the most attractive urban villa district of Krakow. A timber church from the XVI century that had originally been built in Komorowice Śląskie was relocated here in the year 1948, subsequently burning down a fire in 1978 in unknown circumstances. It had been rebuilt soon after, only to be set on fire a second time in 2002. After discussing numerous ideas and locations of its reconstruction, the design team developed a final version of its design, which featured the reconstruction of the church in its original location – in accordance with the will of the residents of Wola – which had been preceded by appropriate landscape analyses. The design calls for the reconstruction of the timber church in a slightly modified manner and placing it upon a concrete plinth, which is to be partially sheltered by the varied terrain around it. The aim of this idea was similar to that of the initial reconstruction, namely, to reconcile the form of the historical building that is to be reconstructed with the modern needs of the parish.